Lagbaja Prevented Me From Seeing His Face During Our Recording Session – Fireboy

Nigerian musician Fireboy discusses his latest album, emphasizing his work with Seun Kuti and Lagbaja.

He said in a recent interview with Apple Music Africa Now that Lagbaja wore his mask the entire time to maintain his well-known obscurity during their recording session.

He said;

“That’s a special record, right there. It means a lot to me getting a legend like Lagbaja on that record, in [the] time that we are in now. One major theme around the album is nostalgia—there’s this nostalgic feeling when you listen to the album, so it’s only right that I employed my legends in the game to help me push this message. Right from the very beginning, I knew this record was special, and I could not wait for everyone to listen to it.

You would not believe this: [Lagbaja] was masked up in the studio. It was crazy—I did not get to see his face. I had a few interesting thoughts; I wanted to ask him if I could see his face! But you know, all that matters is that we made the music. That’s what makes Lagbaja, Lagbaja. You know, “Lagbaja,” where I’m from, in the Yoruba language, means, “Mr. Nobody,” an anonymous person; so it’s only right that I do not get to see his face. I’m glad he got to be on the record—a special person, a special artist, a special record.”

“Big shout out to Olamide, one of the A&Rs on the album. When we worked on the song together in the studio, he advised me, “I hear Seun Kuti on this,” and the moment he said that it just clicked. I just imagined him in one very dark room, spotlight on him, with the sax just blowing away, and it just made perfect sense to me. He’s a very cool guy, Seun Kuti. Amazing person, very funny, down to earth, and really hilarious. He has a very colourful personality and it was fun making the record with him.”

“I recorded that in 2021 I think, in SPINALL’s studio in Lagos. I was like, “When the time is right, this record will come out”—it just made a lot of sense. I listened to the beat once and it just immediately took me back to 2015-2016, when I was listening to one of Wande Coal’s records. It just sounded like something Wande Coal would love, something he would have loved to have spit on. I was like, “What would Wande of 2016 do? Let me just try that.” It’s sort of like a tribute to him; [everyone] knows I respect him so much.

This whole album is more like a tribute to all the legends that shaped African music over the years, and also a testament to myself, of course, and my growth over the years.”